2026年4月27日 / 美国东部时间下午2:01 / 哥伦比亚广播公司/美联社
古罗马庞贝古城遗址的考古学家首次利用人工智能,对公元79年维苏威火山喷发中被火山灰掩埋的一名遇难者面容进行数字化还原,为了解这场史上最著名的自然灾害之一提供了新视角。
这一数字化肖像还原的是一名老年男性,他是在火山喷发期间试图逃往如今意大利沿岸地区时被发现的两名遇难者之一。研究人员认为,该男子在灾难早期、火山碎屑大量坠落时便已身亡。
此次还原由庞贝考古公园与帕多瓦大学合作完成,数据基于古城城墙外斯塔比亚门墓地附近的考古勘测结果。
位于那不勒斯附近的庞贝古城是联合国教科文组织世界遗产,近2000年前维苏威火山喷发后,整座城市被火山灰和浮石掩埋,城市和数千名居民的细节得以惊人保存。
考古学家发现这名遇难者手持赤陶制研钵,他们认为这是他用来临时遮挡头部、抵御喷发时落下的火山砾石的工具。
包括罗马作家小普林尼在内的古代文献记载,当火山灰和碎屑覆盖全城时,居民会利用物品保护自己。
该男子还携带了一盏油灯、一枚小铁环和10枚青铜钱币,这些随身物品有助于了解他的最后时刻以及灾难前庞贝的日常生活。
考古学家指出,这名遇难者和其他许多人都是在城门口附近被发现的,并强调“需要牢记的是,许多人可能在试图逃往海岸的途中葬身城外”。
去年,考古学家发现了火山喷发后庞贝古城被重新占据的证据,原因是部分幸存者无力在别处开启新生活。
这一数字化肖像通过人工智能和照片编辑技术制作而成,旨在将骨骼和考古数据转化为逼真的人类面容。
“如今考古数据体量如此庞大,唯有借助人工智能我们才能妥善保护并利用它们。如果运用得当,人工智能可以推动古典研究的革新,”庞贝古城公园园长加布里埃尔·祖克特列格尔在一份声明中说道。
研究人员表示,该项目旨在让考古研究对公众更具亲和力和情感感染力,同时保留科学基础。
“庞贝或许是世界上最具声望的考古研究场所,每一项新发现都能生动还原古代生活的面貌,”意大利文化部长亚历山德罗·朱利在声明中表示。“此次发掘采用的创新方法,只要谨慎使用,就能为我们带来全新的历史视角。”
今年早些时候,考古学家宣布在庞贝古城的一面墙上发现了一封2000年前的情书和一幅描绘角斗士战斗场景的壁画。
Archaeologists at Pompeii use AI to reveal the face of a victim trying to flee the Mount Vesuvius eruption
April 27, 2026 / 2:01 PM EDT / CBS/AP
Archaeologists at the ancient Roman site of Pompeii have used artificial intelligence for the first time to digitally reconstruct the face of a victim of the AD 79 eruption of Mount Vesuvius that smothered the city, offering a new way to understand one of history’s most famous natural disasters.
The digital portrait represents an older man who was among two victims discovered as they attempted to flee the city toward the coast of what is now Italy during the volcanic eruption. Researchers believe the man died earlier in the disaster, during a heavy fall of volcanic debris.
The reconstruction was developed by the Pompeii Archaeological Park in collaboration with the University of Padua and is based on archaeological survey data from excavations near the Porta Stabia necropolis, just outside the walls of the ancient city.
Pompeii, a UNESCO World Heritage site near Naples, was buried under ash and pumice when Mount Vesuvius erupted nearly 2,000 years ago, preserving the city and thousands of its inhabitants in remarkable detail.
Archaeologists found the victim holding a terracotta mortar, which they interpret as an improvised attempt to shield his head from falling lapilli, the small volcanic stones that rained down during the eruption.
Ancient accounts — including those of Roman writer Pliny the Younger — describe residents using objects to protect themselves as ash and debris blanketed the city.
The man was also carrying an oil lamp, a small iron ring and 10 bronze coins, personal objects that offer insight into his final moments as well as daily life in Pompeii before the catastrophe.
Archaeologists noted that the victim, along with many others, was discovered near the city gates, emphasizing that “it should be kept in mind that many may have lost their lives outside the city, attempting to reach the coast.”
Last year, archaeologists discovered evidence pointing to the reoccupation of Pompeii following the devastating eruption, because some survivors could not afford to start a new life elsewhere.
The digital portrait was created using artificial intelligence and photo-editing techniques designed to translate skeletal and archaeological data into a realistic human likeness.
This image released by the Italian Culture Ministry on Monday, April 27, 2026, shows a victim of the AD 79 eruption of Mount Vesuvius, in the Pompeii archaeological area near Naples in southern Italy. AP
“The vastness of archaeological data is now such that only with the help of artificial intelligence will we be able to adequately protect and enhance them. If used well, AI can contribute to a renewal of classical studies,” Pompeii park director Gabriel Zuchtriegel said in a statement.
The project aims to make archaeological research more accessible and emotionally engaging for the public while maintaining a scientific foundation, researchers said.
“Pompeii is perhaps the most prestigious place in the world for archaeological research where every new discovery illuminates enthusiastically the plot of ancient life,” Italian Culture Minister Alessandro Giuli said in a statement. “Investigations conducted with these excavations demonstrate that innovative methodologies, used with care, can give us new historical perspectives.”
Earlier this year, archaeologists announced they had uncovered a 2,000-year-old love note and an illustrated gladiator fight scene on a wall in Pompeii.
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