2026年3月7日 上午11:08 UTC / 路透社
作者:海伦·科斯特(Helen Coster)和蒂姆·里德(Tim Reid)
[1/4] 2026年3月2日,一架美国海军陆战队F-35C“闪电II”战斗机从美国海军尼米兹级航空母舰“亚伯拉罕·林肯”号的飞行甲板上准备起飞,以支持代号为“史诗愤怒”的行动,从一个未公开地点对伊朗发动攻击。美国海军/资料图片/路透社
- 摘要
- 企业
- 特朗普政府利用电子游戏及其他 meme 推销对伊朗战争
- 专家称公关活动主要针对年轻男性
- 批评者称此举贬低了战争受害者
- 公关活动之际,政府为战争提供不断变化的理由
华盛顿,3月7日(路透社) – 白宫以《使命召唤》(Call of Duty)中的一个场景开场,这是一款动作-packed的第一人称射击游戏。
随后画面迅速切换到战斗机从航空母舰起飞、导弹划破天空、目标在慢动作中爆炸的镜头——所有画面都伴随着说唱歌手Childish Gambino的歌曲《Bonfire》的强劲节奏,以及一个低沉的旁白宣布:“我们正在赢得这场战斗。”
《路透社伊朗简报》(Reuters Iran Briefing)通讯将为您提供伊朗战争的最新动态和分析。在此注册。
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每次爆炸后都会出现一个“使命召唤”击杀分数,显示消灭敌人获得的数值。这段视频已被观看超过5800万次,是特朗普政府发起的社交媒体活动的一部分,旨在向美国公众推销其对伊朗的轰炸行动。
过去冲突中定义战争的严肃图表和简报已被一种带有电子游戏氛围的公关活动所取代,该活动展示了美国军方的技术实力和杀伤力,隐形战机划破云层,目标像好莱坞电影中那样爆炸,火球布满屏幕,搭配音乐。
与过去政府在冲突初期常使用公关活动解释美国为何参战不同,这一次的重点是美国如何参战——带着一种品牌化的炫耀姿态。
由白宫和五角大楼在X(原推特)、TikTok和Instagram上发布,充满流行文化元素、震撼音乐和动作电影片段的视频已被观看数百万次,并被亲特朗普账号在社交媒体上分享。
“以前这需要时间和大量知识,”Indicator(一个致力于揭露数字欺骗的新闻通讯和网站)的研究员兼联合创始人克雷格·西尔弗曼(Craig Silverman)表示,“现在白宫的某个社交媒体经理可能花半小时摆弄这些工具就能弄出看起来不错的东西。”
批评者将这些视频描述为一种令人不快的“战争游戏化”——其中一段视频展示了超人、《勇敢的心》《壮志凌云》《钢铁侠》和《角斗士》的片段,穿插着军事硬件被摧毁的画面,认为这是对战争受害者的贬低。
随着战争开始,政府为战争提供的理由不断变化,此时的公关活动也随之展开。
战争通过流行文化推广
其中一段视频展示了一只动画绿蜥蜴反复点击发光屏幕,每次点击后都出现导弹发射的画面,一个声音重复着“蜥蜴”这个词。这段蜥蜴视频来自2025年迪士尼皮克斯电影《埃利奥》(Elio)的片尾字幕,去年成为病毒式传播的 meme,常被用来代表重复执行任务。
另一段视频包含非当前冲突中的美国军方图像。3月3日白宫发布的一段38秒TikTok视频,标题为“史诗愤怒行动”(OPERATION EPIC FURY)——该政府对伊朗行动的代号,配乐为DJ Shlepki的《Macarena turned》。
视频中出现了B-1轰炸机停在停机坪、B-2隐形轰炸机在云层背景下飞行、以及似乎是F-35C战斗机从航空母舰起飞的画面,还有多次爆炸。路透社独立核实发现,部分飞机图像是较旧的库存影片,并非当前伊朗战争中的画面。
该视频已被观看超过1800万次。
参谋长联席会议主席丹·凯恩(Dan Caine)将军在其他场合对伊朗冲突进行了更严肃的描述。在分享冲突中六名美国军人中的四人的名字时,凯恩本周表达了他的“深切悲伤和感激”,并补充道:“向我们逝去者的家人,我们今天与你们一同哀悼。”
然而,这些视频的氛围却截然不同——专为当今社交媒体的高能量、紧凑风格量身定制。
白宫账号发布的一段14秒视频展示了一系列军事爆炸,穿插着尼克国际儿童频道动画角色海绵宝宝(SpongeBob SquarePants)反复说:“想再看我做一次吗?”该视频在X和TikTok上已被观看超过900万次。
在小布什2003年入侵伊拉克之前,曾在白宫通讯部门工作的克里斯托弗·珀塞尔(Kristopher Purcell)表示,他认为这些视频的目标受众是年轻男性,这一人群在特朗普2024年选举胜利中表现出色。
他说,小布什政府花了数月时间为入侵伊拉克铺设理由,但特朗普政府现在是在事后通过这些视频为战争辩护,他称之为“冲突的游戏化”。
“这是一种疯狂的做法。”
尽管如此,专家表示,特朗普政府在社交媒体沟通方面证明了自己非常有效——即使语气明显偏离了总统的常规做法,这在与特朗普支持者沟通时尤其如此。
哈佛大学肯尼迪学院全球传播教授马修·鲍姆(Matthew Baum)表示,特朗普的潜在问题在于,他曾承诺奉行美国孤立主义。因此,通过 meme 和在线视频展示军事力量的信息可能不如特朗普此前利用社交媒体吸引“让美国再次伟大”(Make America Great Again)支持者那样有效。
“这里的问题是,他的核心支持者并不完全支持对伊朗的战争。所以这是一个难以说服的受众,通常情况下,MAGA 支持者会追随他的领导。”
报道:海伦·科斯特(Helen Coster)和蒂姆·里德(Tim Reid);补充报道:克里斯汀·索亚雷斯(Christine Soares);编辑:保罗·托马斯奇(Paul Thomasch)、罗斯·科尔文(Ross Colvin)和黛安·克拉夫特(Diane Craft)
我们的标准:路透社信托原则。
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SpongeBob, Iron Man and Call of Duty: Inside the US meme war against Iran
March 7, 2026 11:08 AM UTC / Reuters
By Helen Coster and Tim Reid
节点运行失败
Item 1 of 4 A U.S. Marines F-35C Lightning II prepares to launch from the flight deck of the U.S. Navy Nimitz-class aircraft carrier USS Abraham Lincoln in support of the Operation Epic Fury attack on Iran from an undisclosed location March 2, 2026. U.S. Navy/Handout via REUTERS/File Photo
[1/4]A U.S. Marines F-35C Lightning II prepares to launch from the flight deck of the U.S. Navy Nimitz-class aircraft carrier USS Abraham Lincoln in support of the Operation Epic Fury attack on Iran from an undisclosed location March 2, 2026. U.S. Navy/Handout via REUTERS/File Photo
- Summary
- Companies
- Trump administration using video game and other memes to sell Iran war
- Public relations campaign aimed mainly at young men, experts say
- Critics say it demeans the victims of war
- PR campaign comes as administration offers changing rationales for the war
WASHINGTON, March 7 (Reuters) – The White House begins with a scene from “Call of Duty,” the action-packed, first-person shooter game.
It then quickly cuts to images of fighter jets launching from an aircraft carrier, missiles streaking through the sky and targets exploding in slow motion – all set to the pounding beat of rapper Childish Gambino’s song “Bonfire” and a deep-voiced narrator declaring, “We’re winning this fight.”
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A “Call of Duty” kill score, which shows the numerical value earned for eliminating enemies, appears after each explosion. Viewed over 58 million times, the video is part of a social media campaign the Trump administration has launched to sell its bombing campaign against Iran to the American public.
The sober charts and briefings that defined past conflicts have largely been replaced by a public relations campaign designed with a video-game vibe showcasing the technological might and lethality of the U.S. military, with stealth aircraft slicing through clouds and targets exploding in Hollywood-like fashion as fireballs fill the screen to music.
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Whereas past administrations often used public relations campaigns early in a conflict to explain why the U.S. has gone to war, this time around it’s about how the U.S. has gone to war – with an on-brand air of bravado.
Released by the White House and the Pentagon on X, TikTok and Instagram and packed with pop culture references, pulse- pounding music, and clips from muscular action movies, the videos have been viewed millions of times and shared across social media by pro-Trump accounts.
“Before it took time and lots of knowledge,” said Craig Silverman, a researcher and cofounder of Indicator, a newsletter and website dedicated to exposing digital deception. “And now some social media manager at the White House could play around with one of these tools for a half hour and come up with something that looks pretty good.”
Critics described the series of videos – another one features Superman, footage from the films “Braveheart,” “Top Gun,” “Iron Man” and “Gladiator” interspliced with the destruction of military hardware – as a distasteful “gamification” of a war in which U.S. service members and Iranian civilians have been killed.
As the White House has struggled to articulate a clear case for the war that began with a U.S.-Israeli bombing campaign on February 28, with President Donald Trump and some cabinet members providing shifting and contradictory rationales, some former Republican officials and communication experts describe the videos as an unseemly, swaggering attempt to showcase American military might.
Instead, they said, Trump should be clearly explaining to Iranians and the U.S. public why America has triggered another Middle East conflict.
“If you want to communicate, one of the main things they should be doing is communicating to the Iranian people why you are bombing their country, not how we are blowing stuff up,” said James Glassman, a communications expert who served as under secretary of state for public diplomacy and public affairs in the Republican administration of former President George W. Bush.
“This seems to be an effort to sell the war after it started by making it cool, to make it look like a video game.
Anna Kelly, a White House spokeswoman, told Reuters the U.S. military was meeting or surpassing its goals in the war against Iran.
“The White House will continue showcasing the many examples of Iran’s ballistic missiles, production facilities, and dreams of owning a nuclear weapon being destroyed in real time,” Kelly said.
WAR PROMOTED WITH POP CULTURE
One of the videos features an animated green lizard repeatedly tapping a glowing screen, with each touch followed by images of missiles being launched and a voice repeating the word “lizard.” The lizard clip is from the end credits of the 2025 Disney Pixar film “Elio.” Last year it became a viral meme, often used to represent doing a repetitive task.
Another video contains U.S. military images that aren’t from the current conflict. A 38-second TikTok clip posted on March 3 by the White House is captioned “OPERATION EPIC FURY,” the administration’s name for the Iran campaign, set to the song “Macarena turned” by DJ Shlepki.
The video contains clips of a B-1 bomber sitting on a tarmac, a B-2 Spirit stealth bomber flying against a backdrop of clouds, and what appears to be an F-35C fighter jet launching from an aircraft carrier, and multiple explosions. Reuters independently verified that some of the aircraft images are older stock footage and not from the current Iran war.
The video has been viewed over 18 million times.
Chairman of the Joint Chiefs of Staff General Dan Caine has offered a more sober description of the Iran conflict elsewhere. In sharing the names of four of the six U.S. service members killed in the conflict, Caine this week spoke of his “profound sadness and gratitude.” He added, “To the families of our fallen, we grieve with you today.”
The videos, however, have a much different vibe – one tailored for the high-energy, punchy feel of today’s social media.
A 14-second video posted by the White House account features a series of military explosions interspersed with the animated Nickelodeon character SpongeBob SquarePants repeatedly saying: “Wanna see me do it again?” It has been viewed over 9 million times on X and TikTok.
Kristopher Purcell, who served in the White House communications department in the run-up to Bush’s 2003 invasion of Iraq, said he believed the target audience for the videos was young men, a demographic that Trump performed strongly with in his 2024 election victory.
He said the Bush administration spent months laying out the case for the invasion of Iraq but now the Trump administration is sending out these videos after the fact to justify the war, and called it the “gamification” of conflict.
“It’s an insane way to do things.”
Still, the Trump administration has proven highly effective at communicating through social media – even when the tone represents a marked departure from presidential norms, experts said. That’s particularly true when it comes to reaching Trump’s supporters.
Matthew Baum, a professor of global communications at Harvard University’s John F. Kennedy School of Government, said the potential problem for Trump was that he campaigned on a promise of American isolationism. As a result, it’s not clear that the message of military might through memes and online videos will be as effective as Trump’s previous use of social media to reach his Make America Great Again supporters.
“The problem here is that his base is not exactly entirely on board with the war in Iran. So it’s a difficult audience when it is usually the case that the MAGA base is ready to follow wherever he leads.”
Reporting by Helen Coster and Tim Reid; Additional reporting by Christine Soares; Editing by Paul Thomasch, Ross Colvin and Diane Craft
Our Standards: The Thomson Reuters Trust Principles.
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