四世纪硬币与神秘铭文在巴黎圣母院地下出土:“世纪大考古”


2026年6月2日 美国东部时间上午6:44 / 哥伦比亚广播公司/美联社

夏日骄阳下,一队游客正排队等候攀爬巴黎圣母院,一睹其滴水兽的风采。

在他们脚下四米(13英尺)处,一支考古队正朝着相反方向挖掘——一路向下,穿越时空,回到两千年前的罗马时期巴黎。

2019年,一场大火让巴黎圣母院的尖塔轰然倒塌,全球为之瞩目。这座大教堂已于2024年末完成重建并重新开放,如今巴黎希望通过种植树木、打造遮阳区域,让教堂前灼热空旷的广场变得更宜人。

但在这样一座历史悠久的城市,动工前必须先对地下区域进行考古发掘,以防施工过程中损毁地下文物。

因此,圣母院前广场的一部分被开辟为考古发掘现场——一处由围栏环绕、架有木质栈道的露天坑址,距离游客排队的区域仅几步之遥。

现代版《达·芬奇密码》

法国媒体将其称为“世纪大考古”。

“这对我们而言是一次难得的机会,能够开展切实影响巴黎历史研究的工作,”巴黎考古部门的文物保护专家吕西·阿尔滕堡在接受美联社采访时表示。

目前已出土的数百件文物中包括:一枚铸有君士坦丁大帝头像的四世纪硬币,以及多片内部带有专家尚未破译标记的中世纪陶器碎片——宛如现代版《达·芬奇密码》。

2026年6月1日周一,巴黎圣母院外部考古发掘中出土的一件带有铭文的文物碎片正在被拍摄。美联社记者尼古拉·加里加 摄

“这让圣母院重新焕发了生机,”34岁的艾米丽·卡特说道,她来自曼彻斯特,正带着两个孩子排队等候。“我们来这里是为了参观大教堂,却意外发现脚下还藏着另一座城市。这几乎更令人动容。”

第一批遗迹在地下50厘米(20英寸)处便已出现;而在地下4米(13英尺)处,考古队仍在不断挖掘出历史遗物。有时他们一天就能装满15个板条箱——这些文物都来自数十年来未被翻动过的土层。

古城考古团队全程监控发掘

每一座古城都面临着这样的现实:历史并非藏在街对面的博物馆里,而是就在街道下方。

城市不断发展,每个时代都在前代的废墟之上重建,地面也随之抬升:在罗马,自公元5世纪帝国灭亡以来,地面已升高了约9米(30英尺)。

2004年雅典为修建地铁举办奥运会时,启动了希腊历史上规模最大的考古发掘工作,出土了数万件文物,如今这些文物就在地铁车站内展出。巴黎也不例外。

所有这些文物都来自塞纳河中的西岱岛——巴黎的发源地。

几个世纪后,圣母院就建在这片土地上。主持此次发掘的考古学家卡米尔·科隆纳表示,1163年圣母院动工之时,整个广场都遍布中世纪房屋,仅有一条街道贯穿其中。

2026年6月1日周一,考古学家吕西·阿尔滕堡展示在巴黎圣母院外部考古发掘中出土的一枚硬币。美联社记者尼古拉·加里加 摄

向下挖掘时,她的团队已经找到了当时的地窖,也由此抵达了地窖所属的历史时期。

其下方是公元6至10世纪墨洛温王朝和加洛林王朝时期的谷物坑;再往下,土层更深、颜色更深,是公元4至5世纪的密集罗马居民区。

四米(13英尺)的土层中堆叠着二十个世纪的历史——差不多相当于两个半拿破仑·波拿巴叠起来的高度。

“在这里你能看到不同的地层:中世纪巴黎、罗马时期巴黎,甚至更早的时期,”22岁的考古学学生亚斯敏·贝纳利在围栏外围观时说道。“这让这座城市不再像一张明信片,更像是一个仍在不断被发现的生命体。”

硬币、陶器与神秘标记

此次发掘中最丰富的收获来自最肮脏的区域:中世纪房屋下方的深坑,也就是曾被当作垃圾场的老式厕所。

考古队从这里不断发掘出完整的陶罐和酒杯——这些器物在数百年前被丢弃,却依然完好无损, alongside broken plates and animal bones.
“能找到完整的陶器非常罕见,”该部门的考古学家瓦伦蒂娜·布勒鲁说道。

2026年6月1日周一,考古学家瓦伦蒂娜·布勒鲁展示在巴黎圣母院外部考古发掘中出土的陶瓷碎片。美联社记者尼古拉·加里加 摄

这里松软的废弃物为器物提供了保护,数百年后它们得以奇迹般地完整出土。

随后,一些令专家困惑的器物被陆续发现。文物保护人员在清理看似普通的中世纪陶器时,发现其内部带有淡淡的红色字迹——一片又一片陶片上都有着相同的神秘标记。

这些标记的含义至今尚未破译。

布勒鲁表示,在她从圣母院遗址清理出的所有文物中,这些陶器是最“令人惊叹”的。

硬币有助于确定地层年代

出土的硬币呈黑色圆盘状,已被锈蚀侵蚀。但通过X射线扫描后,硬币上的头像重现:正是公元3世纪初统治罗马的君士坦丁大帝。

阿尔滕堡表示,这类文物“对于确定地下地层的年代具有不可估量的价值”。

考古学家最为珍视的是罗马时期的出土文物——这些是最深处、最古老,也是最鲜为人知的遗物。在罗马时代,这座城镇被称为卢泰提亚,其市中心位于河对岸的左岸。

随着罗马帝国崩溃,人们退守到西岱岛——也就是后来圣母院的所在地——并用从更早建筑上拆下的石块加固了该岛。科隆纳的团队就找到了相关证据:发掘中出土了一块罗马门槛石,它来自一座更大的建筑,被搬运至此并倒置后用作铺路石。

“一座巨大的考古宝库”

每件出土文物都会被运离坑址,向北送往巴黎的考古中心——科隆纳称之为“一座巨大的考古宝库”,也就是巴黎的宝藏仓库。

对考古学家而言,圣母院的发掘工作是一次难得的机遇。在法国,和其他地方一样,考古工作仅能在即将动工的建筑场地开展——这有点像工业采石场的工人偶尔会发掘出恐龙化石。

“这次发掘能实现,完全是因为巴黎市政府想要美化这片区域,”阿尔滕堡说道。

新广场预计将于2028年基本完工:将打造一片类似林间空地的区域,种植160棵新树,并在石材表面铺设一层薄水膜,在夏季为广场降温——这也是巴黎应对全球变暖导致的夏季持续高温的举措之一。

如今在骄阳下排队等候参观滴水兽的游客,再过几个夏天就能在树荫下排队了。

原有的地下停车场将重新开放为游客中心,可俯瞰塞纳河。

在那之前,圣母院考古团队希望挖掘得更深——穿过罗马时期地层,探寻更早的居民,也就是为这座城市赋予最初名字的高卢人。

“我们希望能够回溯到比以往任何时候都更久远的时代,”阿尔滕堡说道。

“保存完好”的古代墓葬

2022年,考古学家在大教堂内发掘出数座墓葬和一具可能可追溯至14世纪的石棺。

法国文化部当时表示,其中一座“保存完好的人形铅质石棺”尤为引人注目。

这具棺材可能是为“一位高级权贵”打造的,其年代大概率可追溯至1300年代——也就是大教堂建成后的那个世纪。

除墓葬外,考古人员还在大教堂当前地板层下方发现了彩绘雕塑残件,经确认属于13世纪原始的圣坛屏风——这是分隔祭坛区与 nave 的建筑构件。

2023年,科学家证实巴黎圣母院是首座在建造过程中广泛使用铁订书钉的哥特式大教堂。2019年的大火暴露了原本用于固定教堂石块的铁订书钉:一部分留在了建筑框架中,另一部分在烈火中燃烧后坠落到地面。

本文另有报道人员参与撰稿。

Fourth-century coin and mysterious inscriptions found under Notre Dame cathedral: “Dig of the century”

June 2, 2026 6:44 AM EDT / CBS/AP

Wilting in the summer sun, a line of tourists waits to climb Notre Dame cathedral and meet its gargoyles.

Four meters (13 feet) beneath them, a team of archaeologists is digging the other way – straight down and back in time, to Roman Paris 2,000 years ago.

In 2019, fire brought Notre Dame’s spire crashing down as the world watched. The cathedral was rebuilt and reopened in late 2024, and now Paris wants to soften the hot, bare square in front of it with trees and shade.

But in a city this old, the soil cannot be turned until what lies beneath it is excavated, in case it is damaged during works.

So a slice of Notre Dame’s forecourt has become an excavation site – an open pit ringed by barriers and crossed by a wooden walkway, a few steps from the line-up.

A modern Da Vinci Code

French media have dubbed it the “dig of the century.”

“It’s a rare opportunity for us to work on something that’s tangibly going to make a difference to the history of Paris,” Lucie Altenburg, a conservator with the Paris archaeology unit, told The Associated Press.

Among the hundreds of objects already found: a fourth-century coin stamped with the face of the Emperor Constantine, and shards of medieval pottery painted on the inside with marks no expert has yet deciphered — like a modern Da Vinci Code.

A fragment bearing an inscription is photographed among artifacts discovered during excavations outside Notre-Dame Cathedral in Paris, Monday, June 1, 2026. AP Photo/Nicolas Garriga

“It makes Notre Dame feel alive again,” said Emily Carter, 34, a tourist from Manchester waiting in line with her two children. “You come to see the cathedral, then realize there’s another city under your feet. That’s almost more moving.”

The first traces appear 50 centimeters (20 inches) down; 4 meters (13 feet) lower, the team is still pulling up the past. Some days they fill 15 crates – from ground that has lain untouched for decades.

Ancient cities have archaeologists monitoring digs

This is the bargain in every old city: The past is not in a museum down the street – it is under the street.

Cities rise. Each age builds on the rubble of the last, and the ground climbs with it; in Rome, it has risen about 9 meters (30 feet) since the empire fell in the fifth century AD.

When Athens built its metro for the 2004 Olympics, it set off the largest excavation in Greek history and turned up tens of thousands of objects, now shown in the stations themselves. Paris is no different.

It all comes from the island in the Seine, the Ile de la Cite, where Paris began.

Centuries later, Notre Dame rose on the same ground.

At the cathedral’s birth in 1163, the entire square was packed with medieval houses, split by a single street, said Camille Colonna, the archaeologist leading the dig.

Archaeologist Lucie Altenburg shows a coin discovered during excavations outside Notre-Dame Cathedral in Paris, Monday, June 1, 2026. AP Photo/Nicolas Garriga

Digging down, her team has reached their cellars – and therefore also the time in history they represent.

Below them lie Merovingian and Carolingian grain pits, from the sixth to the 10th centuries; below those, darker and deeper still, a dense Roman quarter from the fourth and fifth centuries.

Twenty centuries are stacked in 4 meters (13 feet) of earth – or about the height of two-and-a-half Napoleon Bonapartes standing on top of one another.

“Here you can see the layers – medieval Paris, Roman Paris, maybe even before that,” said Yasmine Benali, 22, an archaeology student watching from behind the barriers. “It makes the city feel less like a postcard and more like something still being discovered.”

Coins, ceramics and mysterious markings

The richest finds here come from the foulest place: the deep pits beneath the medieval houses, old latrines that doubled as rubbish dumps.

Out of them the team keeps lifting whole jugs and cups – thrown away centuries ago, yet still intact – among the broken plates and animal bones.

It’s “rare to find complete ceramics,” said Valentine Breloux, an archaeologist with the unit.

Archaeologist Valentine Breloux, holds ceramic fragments discovered during excavations outside Notre-Dame Cathedral in Paris, Monday, June 1, 2026. AP Photo/Nicolas Garriga

Here the soft waste cushioned them, and centuries later they miraculously came up whole.

Then some other objects came that confounded experts. As conservators cleaned what looked like ordinary medieval pottery, they found faint reddish writing painted on the inside – the same mysterious markings on shard after shard.

What they mean has yet to be deciphered.

Of everything she has cleaned from Notre Dame, Breloux said, these are the most “astonishing.”

Coins can help date the layers

The coins came up as black discs, eaten by rust. But under an X-ray, a face returned: it was Constantine, the Roman emperor who ruled in the early 300s AD.

Such objects also “can be invaluable in giving us the date of the (underground) layer,” Altenburg said.

The Roman finds are the ones the archaeologists value most – the deepest, oldest and least understood. In Roman times, the town was called Lutetia, and its center lay across the river, on the Left Bank.

As the Roman empire collapsed, people pulled back to the Ile de la Cite, where Notre Dame would later rise, and fortified the island with walls of stone taken from earlier buildings.

Colonna’s team found some proof: a Roman doorstep found in the dig, taken from a much bigger building, carried over, turned upside down, and laid in a road as paving.

“A huge archaeological store”

Every find leaves the pit and travels north, to the city’s archaeology center – what Colonna calls “a huge archaeological store,” a treasure house of Paris.

For archaeologists, the cathedral dig is a rare treat. In France, like elsewhere, they work only where building work is about to begin – a bit like how industrial quarry workers end up unearthing dinosaur remains.

“This only happens because the city of Paris decided it wanted to beautify the area,” Altenburg said.

The new square should be mostly finished by 2028: a kind of woodland clearing, with 160 new trees and a thin film of water sliding over the stone to cool it in summer – part of how Paris is bracing for ever hotter summers induced by global warming.

The tourists who now wait in the bare sun beneath the gargoyles will, in a few summers, line up in the shade.

The old underground parking lot will reopen as a visitor center looking onto the Seine.

Until then, the Notre Dame team wants to go deeper still – past the Romans, toward whoever came before them, the Gauls who gave the city its first name.

“The hope is that we are able to go back in time even further than we’ve ever been before,” Altenburg said.

“Completely preserved” ancient tombs

In 2022, several tombs and a sarcophagus likely dating from the 14th century were uncovered by archaeologists at the cathedral.

Among the tombs was the “completely preserved, human-shaped sarcophagus made of lead,” France’s culture ministry said at the time.

The coffin might have been made for “a senior dignitary” and likely dated from the 1300s — the century following the cathedral’s construction.

As well as the tombs, elements of painted sculptures were found just beneath the current floor level of the cathedral, identified as parts of the original 13th-century rood screen — an architectural element separating the altar area from the nave.

In 2023, scientists confirmed that Notre Dame was the first Gothic cathedral in which iron staples were used extensively throughout construction. The 2019 fire exposed iron staples used to hold the cathedral’s stone blocks together. Some appeared in the frame of the building, others fell smoldering to the ground in the heat of the blaze.

contributed to this report.

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